I have published poems in journals including Field, Gulf Coast and Midwest Quarterly. I am currently shopping two book-length manuscripts of poetry - "cowboys" and "Myth of a City." I hold an MFA in creative writing (poetry) from the University of North Carolina at Greensboro.
Saturday
22Aug2009

contemporary art

Nerves made of rope or some kind of metal that frays. When you look at it.
I am sitting in a tree with ten monkeys. When you look at me.
The sounds coming out of me tuned to a dog whistle.

Even the wind outside the double panes ruffles me.
I want to hit something or kiss you.
This will not hurt, but it could be a slow-burning barn. Filled with owls.

We were a far away building once, in a painting by Mark Rothko.
Do you get it?
Of course you do.

Saturday
11Jul2009

Why Philosophy Is Not Boring

At the edge of the red church,

    its vast sides turned against one another
    in an architecture of long angles and eaves
    dark shadows and leafed-in Sundays

    where the neighborhood slowly awakens
    to owl sounds and church bells breaking in
    softly on a million tiny sleeps

    full of dreams written down with a pencil
    the dark lines little stove pipes pointing
    at the dying sky you can see from the roof

    where ideas like language and belief
    were tossed around easily – things I actually
    would love to catch but just can’t seem to see

    in the fading light of the alley that reflects only
    night in the broken stained glass of windows
    on their ancient yet visible hinges

    like fingers with lips and clothing in piles
    that we land in only every few nights
    together alone with this secret so close

    to an outer wall crowned with glass shards
    some rotted out but others still sharp like bad fins
    in the good dream I keep trying to have,

you kissed me.

Wednesday
17Jun2009

not nothing

It feels like pins falling from trees.
It feels like dogs howling miles away.
It feels like an owl in a church.
It feels like the rain.
It feels like the sun.
It feels like singing.
It feels like music piped into a forest.
It feels like a lake.
It feels like hitting a tennis ball flat and hard down the line.
It feels like baseball in late summer.
It feels like a hot bus.
It feels like a hot mess.
It feels like standing on a wire.
It feels like falling from a great height.
It feels like flying.
It feels like eggs frying.
It feels like being barely hungry.
It feels like being asleep.
Or like dreaming it all.
Sunday
24May2009

Where You Find It

It was almost spring that night. Balm
and underwind tugging up the hem.

Pavement and its strangers stretching
far around, an ocean of irrelevant eyes

that finally allowed us each
to look, to really see the other.

Thank you for talking me down.
Thank you for coming to me.

A thousand dreams later: You must
stop saying these things to me,

each day a weight I wake to shed.
I carry none with me but one:

If you only look for bits of it
you can find a kind of happiness…

so that by night I’m looking up again
for the bite and shine, some way

to assemble the terrible light as it circles
again too near, so very close to you.

Tuesday
07Oct2008

Myth of a City (excerpt)

Scene 23: Rocky’s Constitutional

Bebong & Rocky are thrown off by daylight savings. Falling back is always a celebration, a night of staying up to see the time change: wine, biscuits, popcorn, beer, cookies and maybe a rash phone call or two by Bebong…

The first morning of normal light is rather blurry. They decide to prolong the party.

Looks like a new day, Rock. Bebong jumping-jacks through the kitchen, goes straight for the couch. He’s got his warm-ups on.

Rocky smiles with all his teeth, drinks the last of his water from the bowl. He’s always ready to go out in his full fur coat.

A tiny rain about to begin. Church bells and the sudden train.

Having forgone raincoats, Bebong & Rocky reconnoiter the damp neighborhood. Bebong jogs for one block. These are excellent shoes, he tells Rocky, who’s very much into the ivy lining the sidewalk in front of the smallest house in the town, where someone’s typing a long and half-meant letter.

Bebong & Rocky stop at the little house with ivy. A recliner on the front porch, dead hanging plants, Christmas lights, a wilted grocery bag on the doormat.

Night comes and a clearing. No real rain, after all. Not really.

And no more typewriter. No light from the little house except now the tiny Christmas lights. Blinking in no real pattern. So much silence. Orion. Bebong pulls Rocky away.

That’s enough, he says tenderly. That’s enough.